The combination of Bill Wallace’s words together with some of the scenes makes this video from 1991 a great lesson about martial arts, its phylosophy of training and how we can improve even after many years of training.  I agree completely with these concepts and that’s why I am still training with the same, sometimes more, passion than when I started.  Enjoy and comment please:

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Last night I was browsing various TV channels and I bumped into Kickboxer a movie produced in 1989 with the main character played by a young and f it Jean Claude Van Damme.  I remember seeing this movie at the cinema when it was released (yes, I am that old) and I often refer to it when I explain certain techniques, not necessarily for the quality of the scenes but mostly to describe how things should not be done.

The story is pretty simple: Van Damme’s older brother (in the movie) is an undefeated national champion of full contact kickboxing and somebody suggests he should go and change the Thai champion.  He goes and accepts to fight Thai Boxing rules (that obviously allow elbow and knee strikes that he cannot handle) and he gets not only defeated but his back gets broken and has to be on a wheel chair.  Van Damme’s character decides to avenge his brother by learning kickboxing under a famous local master and at end, as it happens in any respectable American production the good wins, the bad gets beaten and humiliated and so on…

My reason to write this post is to point out a few features that suggest watching the movie while a few comments about how the director could have done a better job.

Van Damme has a typical Karate posture and style, with a low (shall I say inexistent?) guard and a very pumped up attitude for single killer punches  rather than good, classical combinations of boxing techniques: he doesn’t (at least in this movie) looks very much of a kickboxer.  At the same time his fitness and technique, at least in performing certain kicks (like at the end of the fight when, out of the ring kicks Tong Po in the face with a perfect side kick and then, with the same leg he kicks round kick in the face of the organiser) is just great.  What is very annoying is the continuous cut and re sampling of scenes that try to amplify the prowess of the various techniques.

In movies people can be kicked and punched for hours without much damage or even running out of breath and this is no different but, ok, perhaps I am a bit too strict on these things.

As a conclusion I can say that this is a decent martial arts movie, if you ignore the awful non combat scenes and plot it shows some good techniques and, as it happened last night, when I bump into it I tend to watch at least some parts of it.

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Finding a Tae Kwon Do class is usually very easy, in most places and for this reason I have practiced Tae Kwon Do (TKD) in a number of locations around the world (UK, Indonesia, Antilles, Spain) and I was lucky enough to train several times with some top experts, exchanging, apart from punches and kicks, opinions and ideas about the pros and cons of this art.

Description

TKD is a traditional, striking martial art based on kicks and punches although the focus is mainly on the formers.  By traditional I mean having a structured format for the class, naming techniques in the original language and a strict code of conduct and discipline about addressing the master and interacting with fellow students.  TKD practitioners use a white Gi similar to the use used by other martial art although the top is usually a V-neck shirt rather than a traditional jacket.  Seen from the outside TKD manifest itself with two opponents facing each other and attacking body or the head with either kicks or punches with the aim of scoring or eventually knocking down the opponent.  TKD originated in South Korea where it happens to be the national sport and it is one of the most popular martial arts in the world: it was also the second Eastern martial art to become an Olympic sport after Judo.  TKD is represented in many different styles and it is organised world wide in a number of different associations that all practice styles that are all slightly different from each other.  The two main associations are WTF and ITF.  TKD is also often referred as the Korean Karate: this is a wrong definition because the two arts are substantially different although the original definition of Kara Te (in Japanese translated as empty hand, intending to fight without weapons) can be applied to TKD as well.

History

Martial arts are usually not invented from scratch but defined by a person that, after studying and practicing other styles, puts together some aspects of those and give to the new art/style a new name, identity, set of rules and etiquette.  TKD followed exactly this route by being a merge of several ancient arts from Korea and the neighbouring countries, with a strong influence from Karate.  The person considered being the father and highly respected founder of TKD was General Choi Hong Hi who was an experienced martial artist from South Korea: he had the opportunity of studying Karate while living in Japan during the Japanese occupation of South Korea and he defined TKD in the late 50es. General Choi also founded ITF in 1966.

What I like about TKD

Practicing TKD develops some of best, fastest and most powerful kicking techniques and if you fight experts of TKD be careful about their legs: that’s where most if not all of their attacks are likely to come from.  TKD training aims at developing a great level of flexibility for the legs and most drills are meant to combine kicks from both the front and rear legs in very fast sequences.  TKD also encourages using many jumping kicks to achieve higher target and, again, allowing attacks from a broader range of angles.  All kicks are practiced at full contact so each strike is very powerful.

What I don’t like about TKD

In my opinion kicks are fantastic weapons and deliver lot of damage: at the same time punches must have a role in a fight because when the distance is too short it’s important to have means of attacking and defending against hand strikes.  The fact that even in Olympic competitions it is allowed to kick the head at full power with but just light contact with punches the whole style develops with rather poor guard. Assuming that kicks will solve all situations most TKD practitioners put little emphasis on a proper guard that protects the head from punches.  Given the level of leg flexibility expected by high kicks, TKD is most suitable for people that are naturally flexible and start training at a young age: in my experience I never met anyone that achieved a decent level of proficiency in TKD when starting in their thirties or forties.  Last by not least: in a self defence situation high kicks are always a dangerous option to go for and they cannot be used when you attacker is already close to you.  Therefore the applicability of TKD in a self defence situation is lower than many other styles available.

Conclusions

I think TKD is an excellent martial art that teaches powerful techniques: I find it incomplete due to poor hand strikes repertoire.  I would suggest it as a good first martial art, particular for children and young people because it instils discipline and respect while I would rule out beginners in their thirties and above for the reasons I explained above.

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High kicks have an arguable use in self defence although they display excellent athletic performance and look great.  In combat sports, particularly in full contact ones, many people have adopted techniques that limit kicks level to the waist and below.

Bill “superfoot” Wallace retired in the early eighties as undefeated world champion in the middle weight of full contact kickboxing: his combat strategy was always based on fantastic kicking techniques that often caught by surprise his opponents and knock them KO.  Wallace was not just good and superfast in kicking but he could shoot double of triple kicks with a single leg, using these techniques in the same way most boxers faint punching techniques.

In this video he shows some stretching for kicks, one of his legendary training exercises to help improving the central split particularly useful for round, side and hook kick.  Please enjoy the view and leave a comment:

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I recently found this video (see at the bottom of the post) on YouTube and I was impressed simply because it’s rare to see somebody using his legs in such an efficient, powerful and effective way.
When I started karate and kick boxing, in the early eighties, it was noticeable a strong predominance in kicking techniques.  At that time people like Bill Wallace and Dominique Valera were dominating tournaments worldwide and most people entering competitions felt they had to be great kickers.  I remember my master going to seminars run by these legends of kick boxing and coming back with more and more tricks about strategies and combinations of kicks to be used in training and competitions.

Then, within a few years, a new generation of kick boxers started to populate the world.  These new people were not excellent kickers, not very flexible in the lower part of their body, so they started to develop techniques and strategies to use a minimum amount of kicks in any given fights while using more and more boxing techniques.

By definition a kick is a powerful technique: it delivers a lot more power and damage then a punch but it also uses a lot more energy and it’s usually slower.  These simple rules changed completely the trends in full contact and professional fights: in the last few years you can see all fights being dominated by good punching, a few round and front kicks and literally no much else.  In K1 or in MMA people tend to punch, kick and knee in the former or, often, looking for the grappling in the latter.

Nonetheless it’s nice to see that occasionally a good kicker enters the professional arena and when that happens he/she usually dominates for a some time, at least until a better kicker comes out or somebody studies very carefully how to avoid being kicked and defeat the kicker by using different techniques.

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