The combination of Bill Wallace’s words together with some of the scenes makes this video from 1991 a great lesson about martial arts, its phylosophy of training and how we can improve even after many years of training.  I agree completely with these concepts and that’s why I am still training with the same, sometimes more, passion than when I started.  Enjoy and comment please:

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Although I must have seen this movie tens of times every time I find it on TV I tend to watch at least a few scenes: last week was no different.

I have a great respect for Bruce Lee and what he managed to do during the few years of his intense career as martial artist first and then as an actor.  At the same time I have to say that I started noticing too many flaws in the plot, coreography and, actually, even in the fighting scenes of most of his movies.

As usual there are a few things that are generally contraddicting the whole story: the character played by Bruce Lee is sent to Rome where his cousins have a Chinese restaurant and they are having trouble with a local gang that, by the way, with all place in the Italian capital really need that restaurant to be the centre for an international drug traffic

Bruce is depicted as a Kung Fu champion, Chinese boxing as they define it many times: so the first question is why in one of the first fighting scenes against the gangsters he pulls out 2 nunchakus, a Japanese (Okinawan to be precise) weapon?

The whole movie has a very broken rithm (like Bruce Lee suggest to use when fighting) and it culminates in the final scene, the very famous one where Bruce Lee defeats Chuck Norris (the American Champion) in the Coliseum (see the clip below.

According to the movie “The Warrior Journey” Lee explains that this scene starts with him fighting Norris using traditional Kung Fu (I would be curious to know which style considering that Bruce Lee had a Wing Chun background with no high kicks while here most kicks are toward the face…) and is loosing.  So he changes strategy in the second part of the scene and using the basic principles of Jeet Kune Do he becomes adaptable (and kicking the legs) and manages to kill his opponent.  I mention this scene often as an example for a particular style of spinning back hook kick that Chuck Norris uses several times when I explain one of the common mistakes people can make when performing a hook kick.

I am going to conclude this by stating that for a Chinese production of 1972 this movie is great and there is no doubt that next time I will  find it on TV I’ll watch it again.  At the same time I fail to get as excited and inspired as I used to: perhaps I have seen live so many performances of good martial artist that Bruce Lee is no longer so special and unique?

I’ll let you judge what I am saying after you see the clip below:

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When I saw this clip the title popped up at once.  The strong contrast is suggested by the idea that we train martial art and study many different ways of striking our opponents from many different angles using a varieties of kicks and punches.  Sad reality is that, physiologically, our head can just about bear a single, powerful full on kick or punch before giving in.  So to win a fight it would be enough to wait the right moment and strike… but obviously when both opponent are prepared for it this strike some times does not come as it should.

The first part of the video shows the completely different style of the two opponents that are later fighting in a K1 contest:

• Mighty Mo shows in the various fights he wins how the power of a single strike that connects cleanly on the head can put any fighter KO;
• Kaoklai Kaennorsing shows how mobile he is and how his opponents can hardly touch him.

Then the surprise comes in the way the fight finishes: enjoy the view and let me know what you think.

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Dan Inosanto is a very famous martial artist and master: he joined one of Bruce Lee’s school back in 1964 and developed his skills in becoming a master in at least 6 differents arts.

Silat is family of martial arts originated in South East Asia, particularly Malaysia and Indonesia: what I find fascinating about Silat is the very flowing movements develop into strikes, joint locks and throws, switching in very fast motions between one position and the other.

This short clip I found on YouTube shows Dan Inosanto explaining a couple of combinations of attack and defence that develop from a kick and a punch from the attacker into his total annihilation.  The guy on the right hand side of the screen is Ron Balicky, director of the Inosanto Academy and expert himself of Jeet Kune Do, Silat and several other styles.

Enjoy the view and please leave a comment:

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Whenever you see in a movie a guy fighting one or more attackers armed with knives don’t believe what you are seeing: most of the times it’s rubbish.  I have seen lots of knife defence that simply won’t work when, in the street, a random guy (or girl) pulls out a knife and try stabbing your guts or slashing your throat.   I am sorry to say but too many teachers out there give to their students a false illusion about how easy it may be disarming an attacker carrying knife and bad intentions toward you.

At the same time there are a few styles that seem more realistic about how to deal with armed attackers.  In fact I am inclined to follow the logic that a style that trains weapons to start with, like most styles from Indonesia and the Philippines, and move toward bare handed fighting at a later stage (e.g. when you loose your weapon you should/must carry on fighting).

I am personally terrified of edged weapons because of my relatively short experience and lack of continuous practice.  Although I probably have the knowledge and skill to fight and defeat a random attacker from the street in a life or death situation I am always hoping that day will never come.  I have been following Maul Mornie for some time and he never fails to impress me with his very logical, essential and wise defence techniques.  Please have a look at this video and let me have your comments:

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