I was kind of surprised to notice that about 3 years have gone by since my first encounter with Master Steve Tappin, the founder of the Escrima Concepts style, a complete fighting system that teaches weapon based attack and defences to start with and the explores what happens when you have no weapon available.

One of  my main purpose of attending a martial arts seminar is to have the opportunity of learning, usually new things, from a master or instructor that is usually not available for local tuitions, and share with a few others his/her expertise in a session that is normally longer that the average class. However last Sunday I was particularly lucky; I attended, together with 3 other CARISMA members, a seminar organised by my friends at the Cambridge Kung Fu and I was pleased to find out that just 13 people, including us, were taking part to the event.  The real luck was having Master Tappin in person taking care directly of us for a generous amount of time and really ensuring we would get a great training.

Master Tappin’s teaching style is very clear and effective and he always manages to simply explain the essence of why one thing should be done in a certain way and shows it directly, helped by his expert son Wayne.  It’s shocking to see a man who had a broken back and an injured knee, somebody who struggles to stand and limps visibly but then, when demonstrating a technique, moves with the speed and the grace of the great martial artist he really is.

Weapons are tricky to handle and they open a complete new dimension about what should and should not be done while fighting.  While I don’t feel my skill level has grown substantially I can acknowledge I learnt a lot of useful concepts and by repeating and rehearsing the moves my skill will improve over time.

Whether you have experience in weapon based training or, like me, passionate and curious about exploring a new art I would definitely suggest to join one of Master Tappin’s seminar at your earliest convenience.

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I wrote about Bill Wallace in the past and I explained about his amazing style built on very fast techniques and combinations always developed from the left side stance.  Given his strong knowledge about the human anatomy, built on a master in Kinesiology, he developed over the many years of his amazing career the so called “Superfoot” system that first helps to develop flexibility on the main groups of muscles involved in kicks and then teaches how to use, in a very effective way, the three kicks and the couple of punches on which he bases his system.

Earlier today I had the opportunity of finally meet one of my heroes in martial arts: Bill “Superfoot” Wallace was running a morning seminar organised by Colin Payne from TKO in Chatham (Kent, UK); although I found out about it just a few days before, I dropped all of my engagements and simply went there J  Bill Wallace was famous when I started Kickboxing in 1981 and I never had the opportunity of meeting him so this was a chance not to be missed.

At first impression Superfoot appears as very friendly and unassuming person: he arrived with a big smile and looking to “have some fun”.   Within minutes from his arrival we started with some warm up techniques, very similar to some I have seen on his DVDs and we worked out flexibility for both the hamstrings and internal adductors in order to help relaxing the muscles needed for the 3 main kicks that make up the Superfoot method:

• Round kick
• Side kick
• Hook kick

Then we started some simple exercises to improve speed and coordination about delivering individual kicks from the above list; finally we worked at combinations that use either a punch (typically a jab or back fist) or one of these kicks as a preparation for another kick.

His philosophy was and is conceptually simple: keep hitting with one technique that works and hurts a bit and keep changing angle.  Although the repertoire is quite limited it just works.  It is about working on speed, surprising the opponent with techniques that will probably not knock him down straight away but will upset him many times, make him nervous and help building up for the eventual final strike while scoring many and many points in the process.

At 65 Mr Wallace is no longer a young man: from his face you could compare him to other men of similar age.  Looking just at his body most people will think he is at least 20 years younger and that is until he starts moving.  That’s when you think he could be 25 or 30 years younger.  He can stretch his legs more than the majority of kick boxers and other martial artists I know of.  When he was a professional fighter his kicks were of truly lightening speed but even now he can kick amazingly fast.  There were several under 30 at this seminar that could not do what he was demonstrating at the speed he was doing it.

Is he a super human (apart from the Superfoot)? Absolutely not! He simply (!) managed to improve his techniques to perfection and then he adds to his techniques an amazing knowledge of what works, what scores, what helps you winning.  Full contact kickboxing is today dominated by a number of good boxers that work out how to put a few round and front kicks within a rich combination of punches.  His technique and style is unique and I don’t know of any professional full contact fighter that could fight today in this style but still he can be described with similar words I heard by a TV commentator during one of his fights: “you know he will come from a left side stance and you know he will either kick side, round or hook kick; nonetheless he scores and he does it every time”.

Meeting Bill Wallace was an amazing experience and although the workshop was less than three hours long I took home a list of amazing tricks that I will surely add to my repertoire and I will start teaching straight away.  Thanks Superfoot, looking forward to seeing you again.

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After having seen the numerous videos that Maul has on his You Tube channel I was convinced I had to meet him and try out his style. I was initially discouraged by the fact that he is always travelling to different places delivering seminars and that he is usually booked for a good part of a year in advance but, nearly by mistake I found out he was in touch with a local teacher of Silat that runs classes in Cambridge University, Lee Wilson, and so I caught the opportunity and turn up at a seminar held in Darwin College in early March.

Silat Suffian Bela Diri is a martial art that originates in Brunei and I believe it is somehow related to other Silat styles that are practiced in Indonesia and Malaysia: Maul himself admits to have little knowledge of those other styles and that what he practices and teaches is a direct lineage from his family.

The first impression of meeting Maul is warm and friendly: he appeared in the training hall greeting in a very friendly way people he met in previous occasions and welcoming in a equally warm way myself and others he was meeting for the first time.  His smile and facial expression is very reassuring and encouraging as well as his teaching style that is involving from the very first second.

Silat, similarly to other martial arts of South East Asia, is a martial art based on weapons, particularly knife: the training is usually starting by learning how to handle and defend against a weapon and moving onto bare hand fighting at a later stage.  As the seminar was open to all levels and there were people that, like me, had very little weapon experience he decided to start with the very basic drills that included the three basic knife strikes (cutting down vertically to the head, cutting across slashing the throat and stabbing horizontally toward the stomach).  Within minutes we were all practicing these basic drills and developed amazing ways of dealing with these kinds of attacks that would potentially be deadly if applied by an opponent with a live blade (all training is practiced with training knife blunt blades and edges).

The most amazing thing was seeing how Maul could handle these attacks with amazing precision and all counter attacks where at the same time conceptually simple and amazingly effective within a broad range of situations and circumstances.  The other hard to believe feature is his skill of moving incredibly slowly to demonstrate a technique that could potentially harm the opponent but then accelerating at an unexpected (even for a trained, expert martial artist) speed when showing how a techniques should be delivered in real life.

I was really amazed and totally impressed by Maul as a top martial artist and teacher as well as by his great personality and friendly manners: if you have a chance attending one of his seminars just go and try his style, technique and his unique teaching skills.

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I recently coordinated and performed in three demonstrations at the Martial Arts Festival UK organized in Leicester by Kwoklyn Wan, a well known martial artist and Jeet Kune Do instructor who runs a number of schools based in and around the same town.

Choreographing a demonstration always requires some level of preparation while I personally prefer avoiding a complete rehearsal of the whole thing. Punching, kicking and blocking, attacking and defending is something we do in every lesson so my basic strategy is always to have a script about what will be done but leaving the interpretation to the individuals in order to ensure the performance to be more realistic. Ultimately a fight cannot be rehearsed.

I believe that the main objectives of a demonstration are:

• To give a basic idea of the main techniques in terms of kicks, punches, stances and guards for your particular school or style;
• To be interesting for the person from the general public that doesn’t have even a basic idea about martial arts as well as gaining respect from fellow martial artists;
• To show the level of skill of your school or club;
• To be catchy enough to inspire passers by to stop and watch.

Given the final results and the video we managed to produce I am very happy of the overall experience: all CARISMA members that were there truly enjoyed it themselves.

A point I always try to make in my demonstrations is that we must remember that martial arts are about fighting, personal development, controlled actions and well harmonised attacks and defence. Movements should look smoothly and effortlessly performed, otherwise we risk to be looking too much like street fighters. On the other hand the demonstration should be and look realistic: for may taste a bit too many schools were running shows that appeared too much like dancing rather that expressions of fighting arts.

I was highly impressed by the organization of the show itself and I congratulated several times with Kwoklyn about location, quality of staff and their competence, the great variety of martial arts being showed and the workshops run. I firmly hope I will be invited again to be part of the second edition of MAF-UK next year.

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I was recently guest at a Wing Chun seminar run by sifu Benno Westra organized by my friends at Cambridge Kung Fu.  Wing Chun is a martial art originated in the South of China and it’s predominantly an bare handed based system that was initially defined by a woman: advanced forms use butterfly knives and long pole but the majority of applications and demonstration are done empty handed.  Wing Chun is a martial arts that to my knowledge has no sport application and it is taught primarily as a simple, direct and no frills self defence system.

Wing Chun is in reality a family of different styles and I personally trained many different ones: it is intriguing to see how each of them is similar more or less to the others while it interprets various aspects in a totally different way.  In general emphasis on one or the other technique is due to the lineage, the master or grand master that defined the style and his/her personal taste for one or the other aspect.

The first impression of seeing and meeting Benno Westra is warm, friendly and encouraging: a big step forward compared to many high ranked people in the Wing Chun arena that like to look down to the common mortals and use intimidation and nearly mystification to justify their position.  His practical approach to Wing Chun is meant to enable any practitioner to have a good structure and a no non-sense preparation to situations that can happen on the street.

Given my exposure and years of training in other styles of Wing Chun I was some times performing instinctively in a way that was substantially different from what being practiced.  When he corrected some of my techniques he was explaining and justifying why in his style things work that way.  I appreciated hearing a number of times how there isn’t a right or wrong approach to one or the other situations: that leaves a great level of freedom to analyse and appreciate what works and what doesn’t for yourself.

Starting from a simple drill that was deflecting punches to the face we built in a number different variations of lat sau, using wu sau as a central, main technique for the day.

It’s difficult to measure results out of a 4 hours seminar, because it depends very much on what you expect to get out of it.  My approach is usually to go with the flow, experience and see what comes out, trying to be totally unbiased, objective and to learn something: I was happy to exceed my expectations in this occasion.

I liked Sifu Benno’s style of teaching: he uses many interesting metaphors and humorous stories and jokes while presenting top quality techniques and offering comparison to many other martial arts of which he has practical experience himself.  I am looking forward to the possibility of participating to another seminar.

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